Reading Lists9 min read

Books Like
The War of Art

By Chris Sund · Updated September 2026

Seven books for people who now have a name for the thing stopping them and still are not doing the work.

If you liked The War of Art, the closest books are Turning Pro by Steven Pressfield, The Practice by Seth Godin, Bird by Bird by Anne Lamott, You Are Capable of More by Chris Sund, The Creative Act by Rick Rubin, and Finish by Jon Acuff. Pressfield’s own sequel is the right next read, and it is the better book.

What Pressfield gave you and what he did not

Pressfield names something most people have felt for years without a word for it. Resistance is the force that shows up the moment you sit down to do work that matters, and his sharpest claim is that its strength is a measurement rather than a warning, because the more important the work is to you, the harder it pushes. Whatever you are most avoiding is probably the thing.

The book is short, it reads like a series of blows, and the diagnosis is close to perfect. The prescription is one sentence long. Sit down and work anyway. Which is true, and which is why so many people finish The War of Art feeling briefly invincible and then find themselves back at the same desk on Thursday having done nothing.

The other thing worth saying plainly is that the last third turns mystical, with muses and unseen forces and angels on your side. Some readers love it. Many put the book down there and never picked the argument back up, which is a shame, because the first two thirds are as good as this category gets.

Naming your enemy is a real relief. It is not the same thing as beating him, and the relief wears off faster than the Resistance does.

One

Turning Pro by Steven Pressfield

His own follow-up, less famous and considerably more useful. The War of Art tells you what is stopping you. Turning Pro is about the shift that gets you past it, which he frames not as effort but as identity, moving from someone who does the work when conditions allow to someone for whom the work is simply what they do.

The chapters on shadow careers land hard. His argument is that most people who are not doing the work they want are doing an adjacent version of it that carries no risk, and once you have read that you will start noticing it everywhere, including in yourself. Pair it with Do the Work, which is even shorter and reads as a companion.

Two

The Practice by Seth Godin

The same message in a completely different temperature. Pressfield writes like a drill sergeant, and Godin writes like someone who has decided the drama itself is part of the problem. His position is that you ship the work on a schedule, you detach from whether any particular piece is good, and you trust the practice rather than the outcome.

Read this if Pressfield’s combat framing left you exhausted. It is two hundred and nineteen short entries, and it makes doing the work feel ordinary rather than heroic, which for most people is the more sustainable position.

Three

Bird by Bird by Anne Lamott

Nominally a book about writing and actually a book about doing anything difficult while your own mind is working against you. The title comes from her brother, ten years old, paralyzed by a report on birds he had months to write and had not started, and their father telling him to take it bird by bird.

Lamott’s chapter on first drafts is the antidote to the perfectionism Pressfield only glances at. Where he hardens you, she forgives you, and a lot of people who bounced off The War of Art for being too severe find this one gets them working.

Four

You Are Capable of More by Chris Sund

This is mine, so read the description with that in mind. It belongs on this list for one reason, which is that Resistance is not a creative problem. Pressfield writes for novelists and painters, and the same force shows up in a warehouse, a hospital, a branch office, and a truck cab, around the certification nobody is making you get and the conversation you have been rehearsing for a year.

Two chapters overlap most. Finish What You Start is the follow-through problem, and The Later List is about the specific things people postpone indefinitely without ever deciding not to do them. It is written plainly and it is short. There is a survey behind it of more than two hundred working adults, and 78 percent said they delay action on what matters most to them, which is Pressfield’s thesis showing up in ordinary jobs rather than in studios. If you want the mythic version, he is better at it. This one is aimed at the person who does not think of themselves as creative and is still fighting the same fight.

Five

The Creative Act by Rick Rubin

The closest thing to The War of Art in form, built from short chapters that work more like meditations than arguments, from a producer who has spent forty years in rooms with people trying to make something.

It goes further into the mystical than Pressfield does, so if the muses lost you, this one will lose you sooner. If that was the part you liked best, this is your next book, and Rubin’s observations about how strongly the environment governs whether the work happens are genuinely useful.

Six

Steal Like an Artist by Austin Kleon

Short enough to read standing up, and it attacks a specific form of Resistance the others leave alone, which is the belief that you have to be original before you are allowed to begin. Kleon’s answer is that nothing is original, everything is built on what came before, and waiting for a wholly new idea is simply a permanent excuse.

Slight compared to the rest of this list, and the right book for someone who is stuck at the very start rather than stuck in the middle.

Seven

Finish by Jon Acuff

The least mystical thing here and the most immediately usable. Acuff’s finding is that perfectionism does its worst damage not at the start but on the first day you fall short of the plan, because that is the day people quit.

His fix is deliberately unromantic. Cut the goal in half, choose what you are willing to be bad at, and make the work easier rather than more virtuous. Pressfield would probably call that surrender. It also works. There is a fuller list on books like Finish if that is the direction you want.

Resistance is strongest
around the work
that matters most.

Which one to pick

Book What it adds Best for Length
Turning Pro The identity shift, not just the enemy The right next read ~150 pages
The Practice Shipping without the drama Pressfield exhausted you ~270 pages
Bird by Bird Permission instead of severity Perfectionism at the start ~240 pages
You Are Capable of More Resistance outside a studio Not thinking of yourself as creative ~170 pages
The Creative Act Further into the mystical You liked the muses ~430 pages
Steal Like an Artist Killing the originality excuse Stuck before you begin ~160 pages
Finish The mechanics of not quitting Stuck in the middle ~200 pages

If you want one, read Turning Pro. It is the book The War of Art was setting up, and the shadow career chapter alone is worth the afternoon.

Common questions

What should I read after The War of Art?

Turning Pro, Pressfield’s own follow-up, which is the more useful of the two because it moves from naming Resistance to describing the shift in identity that gets you past it. After that, The Practice by Seth Godin for the daily version.

What is Resistance in The War of Art?

Pressfield’s name for the internal force that shows up whenever you try to do work that matters. His key claim is that it is strongest in direct proportion to how important the work is, which makes it a compass rather than a warning. Whatever you are most avoiding is usually the thing to do.

Is Turning Pro or The War of Art better?

The War of Art is the more famous and quotable book. Turning Pro is the more useful one, because naming the enemy only helps for so long. Read them in order and expect the second to be the one you return to.

What is the main criticism of The War of Art?

That the last section turns mystical, with muses and angels and invisible support, which loses a lot of readers who were with him for the first two thirds. The other common complaint is that it diagnoses beautifully and prescribes almost nothing beyond sitting down and working.

Are there books like The War of Art for people who are not artists?

Yes. Resistance is not a creative phenomenon, it is a human one, and it shows up around the hard conversation, the career change, and the phone call you keep not making. Finish by Jon Acuff and You Are Capable of More both handle it outside a studio context.

Your Takeaway

The War of Art is a diagnosis with a one-line prescription. Read Turning Pro for the identity shift underneath it, Godin if the combat framing wore you out, and Acuff for the unglamorous mechanics of not quitting on day two.

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All Ten Lists

Reading Lists

Ten lists of books worth your time, one for each principle, with honest write-ups including the ones I would hand you before mine.

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Chris Sund

Chris Sund
Keynote speaker, Maxwell Leadership Certified Coach, and President and COO of Uniti Med, GQR Healthcare, and Nebula. Author of You Are Capable of More.

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You Are Capable of More

Ten principles and a no-excuses playbook for becoming the person you know you’re capable of being. Available now in paperback, hardcover, and Kindle.